{"id":9104,"date":"2024-01-11T17:15:09","date_gmt":"2024-01-11T16:15:09","guid":{"rendered":"http:\/\/valencia.elemultisite.eleusal.com\/?p=9104"},"modified":"2024-01-11T19:21:53","modified_gmt":"2024-01-11T18:21:53","slug":"hans-christian-hagedorn-linfluence-de-don-quichotte-sur-le-jazz","status":"publish","type":"post","link":"https:\/\/valencia.eleusal.com\/fr\/hans-christian-hagedorn-linfluence-de-don-quichotte-sur-le-jazz\/","title":{"rendered":"Hans Christian Hagedorn, l’influence de Don Quichotte sur le jazz"},"content":{"rendered":"

\u00ab\u00a0Prenez donc garde, r\u00e9pliqua Sancho, ce que nous voyons l\u00e0-bas ne sont pas des g\u00e9ants, mais des moulins \u00e0 vent et ce qui para\u00eet leurs bras, ce sont leurs ailes, lesquelles, tourn\u00e9es par le vent, font tourner \u00e0 leur tour la meule du moulin\u00a0\u00bb.<\/em><\/p>\n

 <\/p>\n

Cette phrase, tir\u00e9e du chapitre VIII de la premi\u00e8re partie de L’ing\u00e9nieux hidalgo Don Quichotte de la Manche<\/em><\/strong>, de Miguel de Cervantes Saavedra<\/strong>, est la parfaite introduction \u00e0 notre prochaine conf\u00e9rence, qui aura lieu le mercredi 24 janvier \u00e0 18h00<\/strong>. Ce jour-l\u00e0, nous aurons le plaisir d’accueillir un g\u00e9ant, le Dr Hans Christian Hagedorn<\/strong>; et ce qui ressemble \u00e0 des bras chez lui ne sera rien d’autre que \u00ab\u00a0de la musique de jazz tourn\u00e9e par le vent, qui fera marcher la pierre de notre imagination\u00a0\u00bb.<\/p>\n

Car, croyez-le ou non, la figure de Don Quichotte a inspir\u00e9 le monde de la musique : de nombreuses \u00e9tudes l’attestent, mais peu d’entre elles se sont int\u00e9ress\u00e9es au monde du jazz. Et, parmi ces quelques \u00e9tudes, on trouve celle de notre tout nouvel invit\u00e9, Hans Christian Hagedorn<\/span><\/a>, qui dans le num\u00e9ro 54 de la revue<\/strong>\u00a0Anales Cervantinos del Consejo Superior de Investigaciones Cient\u00edficas (CSIC)<\/strong><\/span><\/a>, (Anales Cervantinos, Vol. LIV, pp. 101-173, 2022) pr\u00e9sente un article novateur sur l’impact consid\u00e9rable de Don Quichotte sur la musique. Dans son \u00e9tude intitul\u00e9e \u201cDon Quixote\u2019s Adventures in the World of Jazz: 200 Examples and a Few Remarks\u201d (Les aventures de Don Quichotte dans le monde du jazz : 200 exemples et quelques remarques)<\/strong><\/em>, le sp\u00e9cialiste de Cervant\u00e8s et germaniste Hans Christian Hagedorn, de l’universit\u00e9 de Castille-La Manche, montre que l’empreinte profonde de l’\u0153uvre de Cervant\u00e8s sur la musique ne se limite pas \u00e0 la musique classique, \u00e0 l’op\u00e9ra et au ballet, mais qu’elle a \u00e9galement \u00e9t\u00e9 tr\u00e8s importante dans la musique populaire, en particulier dans le domaine du jazz. Vous pouvez consulter son \u00e9tude en cliquant sur ce lien<\/strong><\/span><\/a>.<\/p>\n

 <\/p>\n

\"Espagnol_Strasbourg_la<\/p>\n

 <\/p>\n

Sous le titre \u00ab\u00a0Un saxof\u00f3n para el Caballero de la Triste Figura: la influencia de Don Quijote en el jazz\u00a0\u00bb<\/strong><\/em> (\u00ab\u00a0Un saxophone pour le chevalier de la Triste Figure : l’influence de Don Quichotte sur le jazz\u00a0\u00bb<\/strong><\/em>), Hans Christian Hagedorn<\/strong><\/span><\/a> parlera de l’\u00e9norme impact de Don Quichotte sur la musique, qui a fait l’objet de nombreuses recherches au cours des derni\u00e8res d\u00e9cennies. Dans ce contexte, toutefois, peu d’attention a \u00e9t\u00e9 accord\u00e9e jusqu’\u00e0 pr\u00e9sent \u00e0 la musique populaire et au jazz dans leurs diff\u00e9rents stades, styles, courants et formes. Dans une \u00e9tude exhaustive r\u00e9cemment publi\u00e9e dans la revue Anales Cervantinos<\/strong><\/em> – dans le domaine de la litt\u00e9rature compar\u00e9e et de l’interm\u00e9dialit\u00e9 – le professeur Hans Christian Hagedorn a pr\u00e9sent\u00e9 une vue d’ensemble des compositions et des enregistrements inspir\u00e9s par Don Quichotte qui ont \u00e9t\u00e9 cr\u00e9\u00e9s dans le monde entier dans le domaine du jazz, entre les ann\u00e9es 1925 et nos jours. L’analyse quantitative et statistique de ce catalogue – une liste de 200 exemples de compositions de jazz ou influenc\u00e9es par le jazz qui sont li\u00e9es au roman de Cervant\u00e8s – avait pour principal objectif d’\u00e9largir les connaissances sur l’influence de Don Quichotte sur la musique. Mais elle ouvre \u00e9galement la voie \u00e0 d’autres recherches sur les traces des classiques litt\u00e9raires dans le jazz, un sujet pratiquement inconnu et inexplor\u00e9 jusqu’\u00e0 pr\u00e9sent: il existe de nombreuses \u00e9tudes sur l’influence du jazz sur la litt\u00e9rature, mais tr\u00e8s peu d’ouvrages analysent l’influence de la litt\u00e9rature sur le jazz. Lors de la conf\u00e9rence organis\u00e9e par ELE USAL STRASBOURG<\/strong><\/span><\/a>, le chercheur hispano-allemand pr\u00e9sentera les r\u00e9sultats les plus importants de cette recherche, illustr\u00e9s par plusieurs exemples tir\u00e9s de l’histoire du jazz.<\/p>\n

 <\/p>\n

\"Espagnol:Strasbourg_Espagnol_Strasbourg_la<\/p>\n

 <\/p>\n

Hans Christian Hagedorn est professeur de langue allemande et de litt\u00e9rature compar\u00e9e \u00e0 l’universit\u00e9 de Castilla-La Mancha, \u00e0 la facult\u00e9 des lettres de Ciudad Real. N\u00e9 \u00e0 Br\u00eame (Allemagne), il a \u00e9tudi\u00e9 aux universit\u00e9s de Hambourg et de M\u00fcnster. En 2001, il a obtenu son doctorat en philologie allemande \u00e0 l’universit\u00e9 Complutense de Madrid. Son principal domaine de recherche est la litt\u00e9rature compar\u00e9e, avec un accent particulier sur les r\u00e9cits occidentaux du XVIIe si\u00e8cle \u00e0 nos jours, les \u00e9tudes de r\u00e9ception et l’interm\u00e9dialit\u00e9. Il est l’auteur d’une monographie intitul\u00e9e La traducci\u00f3n narrada: el recurso narrativo de la traducci\u00f3n ficticia<\/strong><\/em> (2006), (La traduction racont\u00e9e : le dispositif narratif de la traduction fictive<\/strong><\/em>), et de plusieurs \u00e9tudes sur des auteurs tels que Wilhelm Hauff, Thomas Mann<\/strong> et Emilia Pardo Baz\u00e1n<\/strong>, entre autres. Il coordonne cinq ouvrages monographiques consacr\u00e9s \u00e0 la r\u00e9ception et \u00e0 l’influence de Don Quichotte dans la litt\u00e9rature et la culture universelles: Don Quijote por tierras extranjeras<\/strong><\/em> (2007) (Don Quichotte en terre \u00e9trang\u00e8re)<\/strong><\/em>, Don Quijote, cosmopolita<\/strong><\/em> (2009) (Don Quichotte, cosmopolite<\/strong><\/em>), Don Quijote en su periplo universal<\/strong><\/em> (2011) (Don Quichotte dans son voyage universel<\/strong><\/em>), Don Quijote en los cinco continentes<\/strong><\/em> (2016) (Don Quichotte dans les cinq continents<\/strong><\/em>) et Nuevas perspectivas cervantinas<\/strong><\/em> (2020) (New Cervantine perspectives<\/strong><\/em>). Il a publi\u00e9 une douzaine d’articles sur la r\u00e9ception de Don Quichotte dans le jazz, dont \u201c<\/strong>Don Quixote\u2019s Adventures in the World of Jazz: 200 Examples and a Few Remarks\u201d<\/strong><\/em> (\u00ab\u00a0Don Quixote’s Adventures in the World of Jazz : 200 Examples and a Few Remarks\u00a0\u00bb<\/em> (Anales Cervantinos, 2022 : link<\/span><\/strong><\/a>). Ce travail a \u00e9t\u00e9 comment\u00e9 dans divers m\u00e9dias, magazines culturels et portails de jazz espagnols et am\u00e9ricains tels que All About Jazz<\/strong><\/span><\/a>, Caravan Jazz<\/strong><\/span><\/a>, Los latidos del jazz<\/strong><\/span><\/a>, The Arts Fuse<\/strong><\/span><\/a>, et La Lectura<\/strong> <\/em>(El Mundo).<\/p>\n

Si vous ne voulez pas manquer cette conf\u00e9rence tr\u00e8s int\u00e9ressante (en espagnol), nous vous attendons le mercredi 24 janvier, \u00e0 18h, dans notre \u00e9cole, situ\u00e9e au 9 rue Saint-Alo\u00efse (2e \u00e9tage), 67100 Strasbourg.<\/strong><\/p>\n

 <\/p>\n

Et n’oubliez pas de r\u00e9server votre place \u00e0 l’avance en \u00e9crivant \u00e0 in**@st****************.c<\/span>om<\/span><\/a> vec votre nom et pr\u00e9nom.<\/strong><\/p>\n

 <\/p>\n

Playlists:<\/span><\/u><\/b><\/p>\n

YouTube<\/i>:\u00a0https:\/\/www.youtube.com\/playlist?list=PLBv2W5E8mFboJLNuBDdbN-KDHmiMChs5E<\/a> (183 exemples)<\/p>\n

Spotify<\/span><\/i>:\u00a0<\/span>https:\/\/open.spotify.com\/playlist\/0Jq4mAj0FMSJRCYB3Fy6aW?si=26c1f55d7c7b41b6<\/span><\/a> (160 exemples)<\/span><\/p>\n

Spotify<\/span><\/i> (liste abr\u00e9g\u00e9e):\u00a0<\/span>https:\/\/open.spotify.com\/playlist\/15Fakp35srdNmTEsiUq2fB?si=e161932def6e4101<\/span><\/a> (\u201cAventures choisies de Don Quichotte dans le monde du jazz\u201d, 43 exemples)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00ab\u00a0Prenez donc garde, r\u00e9pliqua Sancho, ce que nous voyons l\u00e0-bas ne sont pas des g\u00e9ants, mais des moulins \u00e0 vent et ce qui para\u00eet leurs bras, ce sont leurs ailes, lesquelles, tourn\u00e9es par le vent, font tourner \u00e0 leur tour la meule du moulin\u00a0\u00bb.  …<\/p>\n","protected":false},"author":19,"featured_media":9105,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[661,670,127],"tags":[],"class_list":["post-9104","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture-espagnole","category-culture-hispanique","category-non-classifiee"],"yoast_head":"\nHans Christian Hagedorn, l'influence de Don Quichotte sur le jazz - ELE USAL Valencia<\/title>\n<meta name=\"description\" content=\""L'influence de Don Quichotte sur le jazz", Christian parlera de l'impact de Don Quichotte sur la musique jazz.\" \/>\n<meta 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